
It was after a particularly grueling (but prodigious) recording session in the building known as DD172 that Curren$y, the increasingly ubiquitous New Orleans rapper, decided to defuse and decompress his over-worked crew by joking that working in the studio with Ski Beatz was like a “24-hour dojo.” Though only a quip, Mos Def, also in attendance, ran with the idea, eventually recording the swingy song, “24-hour Karate School,” which would become the purported single off the album of the same name.
Mos Def – 24 Hour Karate School [prod. Ski Beatz]
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Since this auspicious meeting, Ski and his vivacious team of musicians, rappers, artists, and videographers, have been hard at work, catapulting the DD172 collective into the blog-o-sphere and capturing the attentions of journalists, industry executives, heads, and even a few casual listeners. Teamed with Damon Dash, Ski is launching what is beginning to resemble a movement in hip-hop, pushing a sample-based, jazz-oriented revivalism. This sound is defined by its refurbished Reasonable Doubt-era throb and swing, packed in tightly with lush guitars, airy keys, and blustering brass.
Curren$y ft. Jay Electronica & Mos Def – The Day [prod. Ski Beatz]
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It’s a lot to take in. Thankfully, the aesthetics of the DD172 movement make it all palatable. Read the rest of this entry →
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